Image series 34 / 2025: Charlotte Berend-Corinth
Artist, Painter's wife, Muse
She is best known as the wife and muse of Lovis Corinth, whom she married in 1904, but Charlotte Berend-Corinth always kept her own career in mind and was an independent artist with countless exhibitions. She created an extensive body of work of her own, always thematically in tune with the times.
On the occasion of the 100th anniversary of Lovis Corinth’s death, the exhibition sheds light on the fate of the works of the artist and his wife, the painter Charlotte Berend-Corinth. It focuses on the different provenances of the paintings.
„In Sight! Lovis Corinth, the Nationalgalerie and the “Degenerate Art” Campaign“
18 July to 2 November 2025, Alte Nationalgalerie, Berlin
Charlotte Berend-Corinth. Henny (Henriette Seckbach), Ausschnitt, 1905, Öl auf Leinwand, 97 × 59 cm, München; ArteMIS, Ludwig-Maximilians-Universität München, Kunsthistorisches Institut
Charlotte Berend-Corinth. Die schwere Stunde, Ausschnitt, 1908, Linz; ArteMIS, Ludwig-Maximilians-Universität München, Kunsthistorisches Institut
Charlotte Berend-Corinth. Schlafendes Kind, Ausschnitt, 1908, Öl auf Leinwand auf Karton, 26,5 × 32,5 cm; User uploads, prometheus – Das verteilte digitale Bildarchiv für Forschung & Lehre
Lovis Corinth. Corinth, Charlotte Berend-Corinth mit Sohn Thomas, Ausschnitt, 1909, Schwerin; Farbdiasammlung, Humboldt-Universität Berlin, Institut für Kunst- und Bildgeschichte
Charlotte Berend-Corinth. Anita Berber Mappe, Titelblatt und 8 Blätter, Ausschnitt, 1919, 61,5 × 49,5 cm; ConedaKOR Frankfurt, Goethe-Universität Frankfurt am Main, Kunstgeschichtliches Institut
Charlotte Berend-Corinth. Traubenstillleben, Ausschnitt, 1923, Öl auf Leinwand, 30 × 40,5 cm; User uploads, prometheus – Das verteilte digitale Bildarchiv für Forschung & Lehre








